Explore this one of a kind opera adventure - The Land of the Magic Flute - A Motion Graphic Novel - Mozart reimagined. The things that help them survive danger are a flute and a set of magic bells. The most world-renowned opera in a classically beautiful production, the legacy of. The Magic Flute Part Two is a fragmentary closet libretto by Johann Wolfgang von Goethe, which is inspired by Mozart's The Magic Flute. First parts were still.
The Magic FluteHis new perspective on the work brings to life a Magic Flute that is both refined and elegant: a sober jewel in which appearances often prove misleading. The Magic Flute, Wolfgang Amadeus Mozart, Grand opera in two acts , Cast: Pamina: Kim-Lillian Strebel, Tamino: Joel Prieto, Queen of the Night. Check out The Magic Flute by Various artists on Amazon Music. Stream ad-free or purchase CD's and MP3s now on stocktonumpires.com
The Magic Flute Cast and main vocal parts VideoThe Magic Flute (Paris Opera, 2001) At La Flauta Mágica (The Magic Flute) we provide a warm, open and educationally stimulating atmosphere in which you can trust your child will be cared for and supported. offering a positive, nurturing experience for children in a home-like setting; ensuring that basic health and safety standards are met;. Encyclopaedia Britannica. Some are fascinated by the fairy-tale dimension of The Magic Flute, others might just enjoy the great music. The opera was premiered in Vienna on 30 September at the suburban Freihaus-Theater auf der Wieden. Official Sites. Scene Piniata. An old woman enters and offers Papageno a cup of water. The Queen of the Night [e]. Tamino, a handsome The Magic Flute lost in a distant land, is pursued by a serpent and asks the gods to save him aria: " Zu Hilfe! Retrieved 2 February Branagh's genius. Also note that the Moon Temple is Chess Free only by women, and the Sun Temple only by men. Karten Für Das Supertalent Age of Enlightenment The Magic Flute was composed inright at the end of the Age of Poker Zitate, which had started in the early years of the 18th century. Secondly, the overture begins with three chords, three heavy, accented, majestic chords — in E flat major. University of Toronto Quarterly. Mozart and Schikaneder might not agree with every detail in this particular interpretation.
Monostatos now enters with Tamino as his prisoner. Monostatos seeks a reward, but instead Sarastro punishes him for lusting after Pamina.
Sarastro leads Tamino and Papageno to the temple. Sarastro meets with his council. They decide that Tamino and Pamina should marry and that Tamino should succeed Sarastro as their leader, provided he passes the trials set out by the ancient rite.
Sarastro prays to Isis and Osiris , asking them to protect Tamino and Pamina. A priest warns Tamino that this is his last chance to turn back, but Tamino is determined to proceed.
Papageno is not interested in trials; all he wants is food, wine, and a wife. The priest replies that he will get a wife only if he undergoes the trials.
In the first trial, Tamino and Papageno must not speak to anyone. The Three Ladies arrive and try to get them to speak. Papageno cannot resist answering, but Tamino remains steadfast.
The priests praise Tamino but scold Papageno, who does not understand why he has to undergo these trials if Sarastro has already found a wife for him.
Monostatos approaches the sleeping Pamina and is about to kiss her when the Queen of the Night, who had arrived unseen earlier, frightens him away.
Seeking power that can be hers only if Sarastro dies, the Queen awakens Pamina and gives her a dagger, ordering her to kill Sarastro.
After the Queen leaves, Monostatos tries to blackmail Pamina by threatening to reveal the murder plot, but Sarastro drives him off and reassures Pamina.
Tamino and Papageno are undergoing a second trial of silence. An old woman enters, carrying water. She says that she is 18 years and 2 minutes old.
Papageno at first believes she means 80, but the old woman insists she is Papageno inquires if she has a sweetheart.
She replies that she does, and that his name is Papageno. She then disappears. Die Zauberflöte has the greatest variety of orchestral color that the eighteenth century was to know; the very lavishness, however, is paradoxically also an economy as each effect is a concentrated one, each one—Papageno's whistle, the Queen of the Night's coloratura, the bells, Sarastro's trombones, even the farewell in Scene I for clarinets and pizzicato strings—a single dramatic stroke.
The opera begins with the overture, which Mozart composed last. Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him aria: " Zu Hilfe!
Zu Hilfe! He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave.
After arguing, they reluctantly decide to leave together. Tamino wakes up, and is surprised to find himself still alive. Papageno enters dressed as a bird.
He describes his life as a bird-catcher, complaining he has no wife or girlfriend aria: " Der Vogelfänger bin ich ja ". Tamino introduces himself to Papageno, thinking Papageno killed the serpent.
Papageno happily takes the credit — claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie.
The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon.
Tamino vows to rescue Pamina. The Queen leaves and the ladies remove the padlock from Papageno's mouth with a warning not to lie any more. They give Tamino a magic flute which has the power to change sorrow into joy.
They give Papageno magic bells for protection, telling him to go with Tamino. The ladies introduce three child-spirits, who will guide Tamino and Papageno to Sarastro's temple.
Together Tamino and Papageno set forth Quintet: "Hm! Pamina is dragged in by Sarastro's slaves, apparently having tried to escape.
Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her. Monostatos and Papageno are each terrified by the other's strange appearance and both flee.
Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her.
She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love duet: " Bei Männern welche Liebe fühlen ".
The three child-spirits lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina Quartet: " Zum Ziele führt dich diese Bahn ".
Tamino approaches the left-hand entrance and is denied access by voices from within. The same happens when he goes to the entrance on the right.
But from the entrance in the middle, an old priest appears and lets Tamino in. The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role.
He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship.
Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him aria: " Wie stark ist nicht dein Zauberton ".
They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music chorus: " Das klinget so herrlich ".
Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say.
She answers that they must tell the truth. Sarastro enters, with a crowd of followers. Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her.
Tamino fulfils all these requirements: he is reasonably balanced, he is brave and knowledgeable; he has stamina and self-control. The Kabbalists of old called this aspect of the microcosm, Ruach.
A modern-day term is the Ego. But right now Tamino, the conscious mind, is out of action, lying unconscious on the ground. The Three Ladies, after some debate, all decide to return to the temple to inform the Queen of the Night, so the Prince is just left there, but not for long.
A curious figure enters — Papageno, the Bird Catcher. His feathers are, in fact, not worn like a coat that can be taken off at will, but are part of him.
He is actually part human, part bird or animal. Papageno is a simple soul, a good-natured, earthy character. He is not exactly what you would term an intellectual.
He likes simple things; if he lived today, his intellectual pursuits would limit themselves to comic books, TV soaps and a pint at the pub.
As he enters, he sings a simple little tune, very typical of him. He operates at an instinctual level, and it is not surprising to learn that he is employed by the Temple of the Moon where he, in exchange for the birds he catches, is given wine, figs and sponge-cake — all sweet and pleasurable things.
Until this is done there can be no steady progression in any direction, for the desires are called forth from without, not directed from within, and vary with the external stimulus.
It is almost as if the character of Papageno was invented to illustrate this point. He is much more interested in good food than in danger and adventure.
He is basically a coward, has absolutely no self-control, he rarely stops to think at all, but there is nothing evil in him. He is the personification of the instincts, that part of the Ruach the Ego which Kabbalists term the Nefesch or the animal soul, that part of us that connects us to Nature.
It is interesting to note that he carries a set of pipes, a Pan Flute. As we go along, you will note that all the characters may be regarded as aspects of one person: Tamino and Papageno are one.
Tamino is the conscious mind of the person that is to be initiated, Papageno is his unconscious animal soul. He is the Nefesch part of the Ruach, for the instincts can never entirely be separated from the Ego.
Treating persons in a drama or a myth as sub-personalities can often reveal very interesting things. So what we are seeing here is the Yesodic subconscious level disciplining the instincts.
Training such as this comes from many levels, not just the conscious one. In fact, the instincts are much better disciplined by the unconscious than by the conscious mind.
This shows the basic unity between the two. Pamina can be regarded as an aspect of himself which he has to reclaim in order to reach maturity and integration.
In fact, Pamina is his contrasexual image — or to use a Jungian term, his anima. It is it not surprising to us, then, when we learn from the Three Priestesses that Pamina has been abducted by a powerful evil sorcerer — the anima is in a fallen, captive state.
Naturally, Tamino promptly swears that he will save her. At this point, the scenery suddenly changes: it becomes dark, and the Queen of the Night appears.
She is sitting on a silver throne, decorated with silver stars. Under her feet is a silver crescent.
In a slow, plaintive aria, she tells Tamino that if he saves Pamina from the evil magician, Sarastro, he will then be free to marry her.
Then she disappears, and the scenery changes back to normal, leaving Tamino wondering if it was a vision or a dream — so typical of an encounter with the astral levels of Yesod where everything is fluid and dream-like.
He promises never to lie again. Tamino is given a magic flute with protective properties to help him on his rescue mission.
Understandably, he is not too happy about this, but agrees when he is given a set of silver bells, also with magical properties.
Three boys will hover near you on your journey; They will be your guides, Follow only their advice. These three boys, hovering nearby, are the Guardian Angels of Tamino and Papageno — they are three in number for the sake of consistency, and also because they are assigned to watch over them by the Temple of the Queen of the Night, and as children they symbolise the purity of the Higher Self.
And in yet another and third sense, in the early stages the mystical consciousness is like a child, requiring care, love and protection.
Slaves are are laughing, because Pamina has escaped from her jailer, Monostatos. He is a Moor — in other words, he is black.
Monostatos is a cruel, embittered person who lusts after Pamina and is just about to rape her when he suddenly sees Papageno through a window. We, as moderns, cannot but help come up against the idea of racism here.
We must keep in mind that years ago, the so-called supremacy of the white races was rarely questioned. This might, perhaps, be seen as a reflection of the Masonic ideals of the essential brotherhood of all humankind.
After this short scene follows the Finale of the first act. The layout is interesting: we see three portals. The left one leads to the Temple of Reason, the right one to the Temple of Nature, and in the middle, another portal leads to the Temple of Wisdom.
Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords.
Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.
Trailers and Videos. Crazy Credits. Alternate Versions. Is a bilingual Pre-school in Corvallis, Oregon opened in The director and head teacher of the school has over 26 years of experience as a bilingual early childhood educator.
The other teachers at the ce. The other teachers at the center are also bilingual, and have pre-school and kindergarten teaching degrees or are teacher-aids at local schools.